Fact in Nature
The Final Mowing 12 x 16″ Oil
John is making ready for a serious solo exhibition on the Albrecht-Kemper Museum of Artwork titled, “Transcendence: Fact in Nature.” In the midst of writing concerning the work for the exhibition catalog, he walks the reader by means of the 4 seasons and the inspiration and challenges they carry to the panorama painter.
This week, we needed to share a few of his ideas and work about Autumn with you.
“Fall and winter are my favourite instances of the yr for portray right here. The colours within the Midwest are nothing just like the spectacular and sensible orange, pink and evergreen shows that I had been used to portray within the hardwood and conifer forests of the Hudson Valley. Nor are there blue mountains rising as much as create the proper backdrop for any topic. It took me a while to adapt my imaginative and prescient to the subtleties of this midwestern panorama.”
“For my part, Fall can also be the perfect daylight of the yr in our latitude. The sunshine is now not overhead, however is available in at an angle, rising the shadow results. Early morning and once more in late afternoon the golden mild garments every part it touches with heat magnificence. Wealthy shadows tackle a coolness not current in the summertime, making an exquisite coloration distinction with the sunlit world. There are such a lot of topics to color every Fall that I get fairly excited by it and it’s onerous typically to simply calm down and paint one thing. Nature places all her effort into changing the large energies gathered throughout the summer time into this unimaginable transitional miracle. Every little thing modifications and nondescript summer time vegetation instantly grow to be star performers as they alter colours or produce vibrant berries, like buckbrush and winterberry do.”
October Woods 22 x 30″ Watercolor
Please share with us your ideas on portray within the transitional Autumn mild.
Transcendence: Fact in Nature by John Hulsey
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