(My “On the Easel” posts offer you a behind-the-scenes have a look at what I’m engaged on, what went effectively, what went unsuitable, and issues I be taught.)
Let’s check out how I painted Boats at Wynnum. I painted this towards the tip of 2022 and gifted it to my dad and mom for Christmas.

Reference Photograph
Beneath is the reference picture I painted from. You possibly can obtain the full-size picture right here. Be happy to color it your self.

(Want reference pictures to color from? Try the Reference Photograph Library.)
What I Used
- Oil on Ampersand gessoboard, 18 by 24 inches.
- Primary colours: Ultramarine blue, cobalt blue, cadmium crimson, magenta, cadmium yellow, cadmium yellow mild, cadmium orange, viridian inexperienced, and titanium white.
Confer with my provides checklist for extra particulars.
Notes and Classes Discovered
- I used a various vary of methods: scratching, flicking, dabbing, damaged shade, palette knife strokes, multicolored strokes, moist over dry, impasto texture, and scumbling. Discover how I used completely different methods to convey completely different segments within the portray. The problem of utilizing such a various vary of methods is getting all of them to work collectively in concord. Complexity for the sake of complexity is rarely a great factor.
- This portray concerned appreciable problem-solving. The boat was notably difficult. I encountered a problem with the boat round midway by way of the portray course of. I initially thought the problem had one thing to do with the drawing, scale, and perspective of the boat. I spent ages adjusting the drawing right here, however nothing labored. I ultimately realized the issue had nothing to do with the boat however somewhat the encircling water. The water was too easy and flat, and for some purpose, that was messing with my notion of the boat. The answer was to color the water with damaged palette knife strokes. The important thing lesson right here is to be open-minded while you encounter an issue. Don’t tunnel imaginative and prescient one ingredient as I did with the boat’s drawing, scale, and perspective. The very best resolution shouldn’t be at all times the plain one.
- The colour theme is wealthy greens and blues towards pale reds and oranges. Inexperienced and crimson are complementary colours, as are blue and orange. By restraining the reds and oranges, I enable the cooler colours to dominate the portray.
Tip: When portray with complementary colours, contemplate restraining one in order that the opposite may be dominant. Two complementary colours at full energy may be garish and jarring to have a look at.
Progress Pictures
Beneath are some progress photographs. The broad course of I adopted was:
- Tough sketch with the help of a three-by-three grid.
- Block within the main shapes and colours.
- Refine and add extra intricate particulars.
- Ensure all of the elements work collectively as an entire, make ending touches, signal, and {photograph} the portray.












Element Pictures





Wish to Study Extra?
You may be curious about my Portray Academy course. I’ll stroll you thru the time-tested fundamentals of portray. It’s good for absolute newbie to intermediate painters.
Thanks for Studying!
I admire you taking the time to learn this put up and I hope you discovered it useful. Be happy to share with associates.
Comfortable portray!
Dan Scott

Draw Paint Academy
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