(My “On the Easel” posts provide you with a behind-the-scenes have a look at what I’m engaged on, what went properly, what went fallacious, and classes realized.)
Let’s check out how I painted Elora and White Roses. That is certainly one of my favourite latest work, partly as a result of it depicts my lovely daughter Elora in a devoted mild and partly as a result of it was a difficult topic that turned out properly.

(You possibly can obtain a higher-resolution picture of the portray right here.)
Reference Photograph
Under is the reference picture I painted from. Be happy to color it for your self. Here’s a hyperlink to the full-size picture in case you wish to paint it your self.

You will get entry to my complete reference picture library right here.
Particulars
- Oil on Ampersand gessoboard, 18 by 24 inches.
- Foremost colours: Ultramarine blue, cobalt blue, cadmium pink, magenta, cadmium yellow, cadmium yellow mild, cadmium orange, viridian inexperienced, and titanium white.
Consult with my provides record for extra particulars on what I exploit.
Notes and Classes Realized
- I had a failed try at this portray. I made her too small in relation to the environment. Errors like this are nearly unimaginable to get better from. I used to be cautious to not make the identical mistake on this second try.
- I spent appreciable time and a spotlight on the preliminary drawing, ensuring to get Elora proper earlier than I began portray. As I acquire extra expertise with portrait portray, I’ll be capable to spend much less time on the preliminary drawing.
- I used delicate coloration variance within the sky. This provides a way of life and motion with out drawing an excessive amount of consideration to this space.
- I began quick, then spent the remainder of the portray refining Elora and build up texture within the foreground.
- I painted the grass by build up layers of scumbled coloration. This mimics all of the flickering highlights, darkish accents, twigs, flowers, bugs, rocks, and so forth.
- I took a unique strategy for Elora, choosing extra cautious brushwork and rendering. I additionally used lighter colours and softer distinction. This performs into her delicate and female nature.
- A key problem was portray Elora in a manner that she appears reasonable while ensuring she matches in with the remainder of the portray and the general impressionist fashion. If I did an excessive amount of, she regarded misplaced and overworked.
- Dan Schultz mentioned in our latest interview that his favourite work are people who depict his spouse and kids. I’ve comparable ideas. It appears work of members of the family are notably particular, although it’s exhausting to convey them in a devoted mild.
Progress Pictures
Step 1: Apply a three-by-three grid to the reference picture and gessoboard. This helps me with the accuracy of my drawing. I then do an preliminary drawing, spending most of my consideration on Elora. It’s crucial that I get her scale and proportions proper at this early stage within the portray.


Step 2: Shortly map out the panorama. I’m extra snug portray the panorama, so I get that out of the best way first. I paint quick and with intuition reasonably than calculated thought. I’ll refine the panorama later as wanted.

Step 3: Fastidiously block within the main shapes and colours of Elora.


Step 4: Add element to Elora, construct up texture within the foreground, and ensure all of the components work collectively as an entire.





Step 5: Make ending touches, signal, and {photograph}.

Wish to Be taught Extra?
You could be focused on my Portray Academy course. I’ll stroll you thru the time-tested fundamentals of portray. It’s excellent for absolute newbie to intermediate painters.
Thanks for Studying!
I admire you taking the time to learn this put up and I hope you discovered it useful. Be happy to share it with buddies.
Completely satisfied portray!
Dan Scott

Draw Paint Academy
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